![]() ![]() As with the Oldham-produced cuts done by Del Shannon in the same era, the deftly elaborate L.A.-meets-London semi-Wall of Sound is more impressive than the pretty but often rather slight material. This is not a knock Nicholls was very young at the time, after all, and it's hard to match Brian Wilson, though Oldham pulled out a bunch of tricks with baroque keyboards, tasteful brass, and airy multi-part harmonies. Although very attractive, however, the songs and production do not have the depth and emotional resonance of Pet Sounds. Billy Nicholls' stillborn 1968 album does indeed recall the Beach Boys' 1966-19 67 era, not just due to Nicholls' melodies and high, versatile vocals, but also the production of Andrew Oldham, an avowed fan of Phil Spector and Pet Sounds.
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